Caillebotte’s career as a painter was brief, he started painting late in life and died young. Gustave Caillebotte, The Floor Scrapers Les raboteurs de parquet, 1875, oil on canvas, 102 x. Realism Art and Music Realism. As Varnedoe eloquently stated, the “patiently objective realism in the details” of Floor-Scrapers is offset by “a strikingly willful, ... Art Institute of Chicago, as Gustave Caillebotte: Urban Impressionist, Feb. 18–May 28, 1995; Los Angeles County Museum of Art, June 22–Sept. A Review of Gustave Caillebotte at the Art Institute of Chicago. Jun 4, 2019 The Art Institute of Chicago, Charles H. and Mary F. S. Worcester Collection. Thus, exposure to his work was limited until the 1960s. 2.106, fig. They will become very close friends and Caillebotte will continue buying his works and support him financially for the rest of his life. His 1877 painting ... Caillebotte made The Floor Scrapers in 1875. 2.108). The Floor Scrapers, Gustave Caillebotte. Caillebotte's best-known work, owned by the Art Institute of Chicago, depicts one of those rainy Paris days. 2.107, and fig. 1876 – Caillebotte buys several canvases from Monet. Gustave Caillebotte’s 1875 canvas The Floor Scrapers depicts an atypical scene from a typically grand apartment in Paris. Paris Street, Rainy Day. 10, 1995 (fig. He also did not need to sell his art as he was independently wealthy. While Zola had blasted The Floor Scrapers the year before, when Caillebotte exhibited Paris Street, Rainy Day along with five other paintings, the influential critic had a much more positive view of the artist's work. 1875 – “The Floor scrapers” rejected by the Salon. From Musée d'Orsay, Gustave Caillebotte, The Floor Scrapers (1875), Oil on Canvas, 40 × 58 in Art Institute of Chicago’s Gustave Caillebotte’s Paris Street, Rainy Day painted in 1877 is a defining work for the art museum. Gustave is introduced into the modern art circles of Paris by de Nittis who is friends with Degas and the Realist painter Léon Bonnat. NEW ON VIEW—See Gustave Caillebotte's "The Floor Scrapers," on loan from the Musée d'Orsay , now at the Art Institute for a limited time. A group of three manual works are busy planning the floor with bare backs, knelt so that their faces are only barely distinguishable. Les Raboteurs de parquet Floor Scrapers or Planers, 1875.
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